What to expect in the upcoming months

Patreon

First of all, thank you to everyone who shared their thoughts in the last poll.
Here are the main takeaways from your feedback:

  • You want more releases and loops

  • You want easier browsing of my library

  • You want improvements to the Foundry module

  • And you want a more cohesive thematic experience overall

These are all things I take seriously, and I plan to dive deeper into each of them — especially by listening more closely to your input. I’m considering hosting a series of live feedback sessions where I can hear directly from you and take notes on what you’d like to see improved.

In the meantime, I’d love to hear your thoughts specifically on:

  • Better library browsing

  • Integrations with Foundry or other platforms

Feel free to leave a comment below with any suggestions!

Now, here’s what’s coming next:

  • Six new albums written in collaboration with members of the Storyteller Tier.
    Each one is inspired by a different creator’s story and features recordings with live musicians. These will begin rolling out in the coming weeks, with each album including between 4 and 6 tracks.

  • Rise of the Runelords (for Paizo and Michael Ghelfi)
    This is a massive project — over 30 tracks and more than an hour of music. I’ve begun recording with live players for some of the pieces, and I’m very proud of the result.
    This album is a collaboration with Paizo and Michael Ghelfi, and will be exclusive to patrons in the $10 tier and above. It will not be sold on my store or included in the Lifetime Bundle — all distribution will be handled by Paizo and Michael Ghelfi Studios.

  • Dinosauria film soundtracks
    While these aren’t always ideal for game or TTRPG use, many of the tracks are still quite usable. More importantly, this collaboration with David Armsby has been deeply rewarding creatively, and I plan to continue working on music for his films. Since I retain the rights to this music, I’ll always make it available to you.

  • A personal shift — returning to live instruments and the guitar
    For nearly a decade, I neglected playing live and recording acoustic instruments. Although I started with piano, my real obsession since age 12 has always been the guitar.
    Now, I’m returning to it — but not as a guitarist, as a composer. I’m rethinking my relationship with the instrument, and it’s quickly becoming a renew passion. Working with live musicians has also become essential to me, and I’m shifting my focus toward music that can be performed live in intimate concert settings.

From now on, most of my artistic projects will be:

  • Fantasy-focused as usual.

  • Rooted in acoustic instruments (especially classical guitar, strings, woodwinds and vocals)

  • Intimate and playable live
    Rather than orchestral grandeur, I want to explore the more personal, raw, and expressive side of fantasy music.

    The first album in this new series will be Tales of Adoan: Tribes — a project I set aside some time ago but stayed close to my heart. I believe the time has come to return to it with fresh inspiration and finally bring it to life.